GOVERNOR
VALVE OPTICAL COMPRESSOR
GLA-OP1 The Governor is an vacuum tube-based optical compressor that, – thanks to its dual slope design – employing two threshold points, provides the ability to maintain control over dynamic conditions. Its direct predecessor can be considered the dynamic control that used in the Bishop All-Tube Channel Strip, which, despite providing only a small portion of Bishop’s functionality, has become a notable institution in its own right.
BISHOP
ALL TUBE CHANNEL STRIP
We are proud to announce that the new family member of Gainlab Audio products has arrived! Our own designed BISHOP all tube channel unit brings much more than you expect from a regular high quality channel strip. The heart of the unit based on the mic preamp which consist three vacuum tubes constructed in all tube design. There are inputs for the mic and instrument on the front while mic and line also selectable on back panel. Over the regular switches of phase, polarity and phantom power we found a special drive pot which is available for colouring the instrument input through a discrete solution. The big enlighted eye catching ring for stepped gain selector is separated in two selectable scales which gives ultimate capabilities to make gain even until +60dB.
EMPRESS
3x2 BAND PASSIVE EQ
What would be your first though when you hear the term “passive equalizer”? At first, probably you think about the airy high frequency components, the rich subs and the widely applicable cuts and boosts wich can be used alongside each other. These types of equalisers have been around since the early 50’s, the most famous Pultec EQP-1 from Pulse Techniques was the first one that provided simultaneously passive filter circuits alongside high quality line amplifiers. The downside of the EQP-1 was the lack of ability to carry out precision frequency isolation, but it was able to change any sound in its core. Many of the modern equalizers are based on the original EQP-1 in both structure and functions that could be limiting in a modern music environment and production.
DICTATOR
DUAL MONO
DUAL MONO PENTODE VARI-u COMPRESSOR
At Gainlab Audio, we pay special attention to the feedback from our users. A significant portion of these inquiries are about whether it would be possible to use the device in dual mono mode. Due to the unique architecture of the equipment, we had to answer no until now… Dictator is designed to be as versatile as possible on modern materials and to easily integrate into today’s production practice, in addition to it’s traditional vacuum tube design. Originally, the goal was to process two-channel stereo tracks while maintaining the most accurate stereo operation as possible.
DICTATOR
PENTODE VARI-u COMPRESSOR
The Dictator is a tube based dynamic controller wich is designed after a classic vari-mu compressors. Theoretically similar to the legendary Fairchild 670 and Gates STA-Level in addition to the contemporary solutions in order to have a better control over the sound. The bespoke design of the branch circuits we just simply call the “mu-follower”. The two channels of the compressor can provide synchronised running throughout the whole range of the transition curve and so excellent gain reduction can be achieved. The time wise working parameters and the saturation characteristics are very familiar to the known tube based compressors.
DICTATOR GRAPHITE
PENTODE VARI-u COMPRESSOR Graphite
The Dictator is a tube based dynamic controller wich is designed after a classic vari-mu compressors. Theoretically similar to the legendary Fairchild 670 and Gates STA-Level in addition to the contemporary solutions in order to have a better control over the sound. The bespoke design of the branch circuits we just simply call the “mu-follower”. The two channels of the compressor can provide synchronised running throughout the whole range of the transition curve and so excellent gain reduction can be achieved. The time wise working parameters and the saturation characteristics are very familiar to the known tube based compressors.
Alberto Vaz
Live & Recording Engineer
Sheryl Crow
“Dictator which is on all the vocals and I want I just wanted something that would be really smooth to kind of glue all those vocals together… It adds a little presents, softens everything. It does what a vari-mu is supposed to do and it’s it sounds incredible. It’s been you know as soon as I put it on, it just it’s like oh yeah, there there it is that’s the magic I needed.”
Bob Strakele
FOH Engineer
Slipknot, Avenged Sevenfold
“I’m using Dictator for my mixbus compression. It’s nice and gentle. You don’t hear it working too hard, but it adds a nice thickness adds a lot of body adds a lot of harmonics depending on how you like to drive it. You don’t really hear it working too hard until you turn it off and then everything kind of gets smaller and more boring”
Chris Rakestraw
Record Producer/Monitor Engineer
Megadeth
“I only had to hear the Empress for about 1 minute to know this thing wasn’t ever leaving my mix bus. This thing is that good!! A new standard for mix eq.”
David Gnozzi
Mix & Mastering Engineer
MixbusTv Host
“The Empress EQ is one of my favorite equalizers of all times. It has been on every mix since the day I got it. Absolutely beautiful top end, big and warm low end and the mid band is just magic. This really is THE improvement on a classic design.”
Kevin Rudolf
Artist, Producer
Songwriter
“The Bishop microphone preamp is one the warmest, most pristine channel strips I’ve ever used. The compressor section offers tons of flexibility in shaping the sound and vocals sit perfectly in the mix. Personally, I love driving those tubes hard and getting that extra grit! The drive control on the instrument input is also amazing on bass and guitars.“
Mad Steex
Audio Engineer
Content Creator
“My job grant me the possibility to tryout high quality studio gear and when I tried the Empress EQ I was left speechless! Is like having a modern Pultec style EQ with more versatility at a fraction of price without compromising the immense quality. Now it is in all my Mastering chains and my clients are always super happy of the results!“
Matt Blakely
FOH Engineer
Billy Talent
“About the Dictator it’s really brought a lot of new characters into the Left Right Mix the Dictator If you’re running about a 2dB gain reduction and 2dB makeup in its high comp mode – it seems to be working so far for me – the best and then the Empress is really where the magic is happening. I’m me running obviously the tube boost is in and just some high and low lifts and it really just takes the mix… just punches it out. I didn’t know how aggressive it was going to be and how how much it impacts.. I’m mixing into it more and using it as a main chain or a main part of the sound.“